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Watch X Clamp Anime First or Read Manga

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Japanese manga series by Clamp

X
X manga cover.jpg

Cover for the first Japanese volume
Genre
  • Activeness[1]
  • Dark fantasy[one]
  • Supernatural thriller[one] [2]
Manga
Written past Clamp
Published by Kadokawa Shoten
English publisher

AUS

Madman Entertainment

NA

Viz Media
Magazine Monthly Asuka
Demographic Shōjo
Original run May 1992 – March 2003
Volumes eighteen (List of volumes)
Anime
  • 1996 moving-picture show
  • 2001–02 TV series
Wikipe-tan face.svg Anime and manga portal

X , also known as X/1999 , is a Japanese manga serial created past Clamp, a creative team made upwards of Satsuki Igarashi, Nanase Ohkawa, Tsubaki Nekoi, and Mokona. It premiered in Kadokawa Shoten's Monthly Asuka shōjo manga mag in May 1992 and ran at that place until it went on hiatus in March 2003; it has still to be concluded. The story takes place at the finish of days in the twelvemonth 1999. The serial follows Kamui Shiro, a young esper who returns home to Tokyo later on a six-year absence to face his destiny as the i who will decide humanity's fate.

Kadokawa Shoten nerveless and published the individual capacity in 18 tankōbon volumes, with five chapters published in the book All about Clamp. All but several concluding capacity take been published. It has been adapted into a series of audio dramas. It was followed past a 1996 anime feature moving-picture show by Rintaro assisted by Ohkawa in studio Madhouse. The same studio, now led past director and writer Yoshiaki Kawajiri, made a 24-episode anime television series in 2001. Since the manga never reached its catastrophe, the 2 animated adaptations accept their own takes of the series' finale. Viz Media published all 18 volumes in Northward America, while the motion-picture show and the Television series been have released on DVD by multiple distributors.

The serial is a foray into apocalyptic fiction; it combines elements from diverse finish-of-the-world scenarios, both secular and religious, with its own mythos. Its themes include exploring the personality of humanity, relationships with others, and external conflicts like the impending Armageddon. It has garnered mostly positive reviews for its large, varied cast and appealing illustrations, despite its lack of an catastrophe. Information technology became one of Clench's nigh iconic works in their early career; despite its female target audition, it also attracted male person readers considering of its focus on action.

Plot [edit]

In 1999, a teenager named Kamui Shiro returns to Tokyo later a 6-year absence to fulfill his female parent's dying wish of changing fate. However, he keeps his distance from two babyhood friends, Kotori and Fuma Monou, whom he originally treasured as a kid.[iii] The end of the earth is fast approaching equally superhuman individuals will clinch their victory.[four] The clone Nataku steals the "Sacred Sword" ( 神剣 , Shinken ) from Fuma's family temple, with his dying father telling his son that he is Kamui's "twin star". The Dragons of Heaven are the commencement to contact Kamui. Hinoto, the dreamgazer for the Japanese Legislature guides them. They are the protectors of the kekkai ( 結界 ), spiritual barriers (in the form of buildings such equally the Tokyo Tower) that concord the fabric of nature together. As long every bit the kekkai survive, Judgment Mean solar day is postponed.[3] [5] The Dragons of Earth are the antithesis of the Dragons of Heaven. Their mission is to destroy the kekkai and unleash earthquakes and so Earth tin can be cured of the plague of humanity. They were assembled by Hinoto's sister Kanoe, secretary to the Governor of Tokyo.[iii] [5]

Kamui is forced to choose between the ii sides, he concludes he only wants to protect Kotori and Fuma, and becomes a Dragon of Heaven. At the same time, Fuma has a modify of personality and becomes the "Kamui" of the Dragons of Earth as he was destined to be Kamui'due south reverse. Fuma murders Kotori and swears to impale Kamui. The Dragon of Sky Subaru Sumeragi helps Kamui to overcome this traumatic experience, and he decides to face up reality. But like Subaru decided to search for the Dragon of Earth, Seishiro Sakurazuka, who killed his sister Hokuto years ago, Subaru inspires Kamui to face reality and avoid some other ending in his life. Kamui decides he wishes to bring Fuma back to normal. Kamui joins the Dragons of Sky in their fight confronting the Dragons of Earth. Across the manga, Kamui and his allies face the Dragons of Earths multiple times merely cannot protect most barriers, resulting in multiple earthquakes taking down Tokyo. In a 1-on-one match, Seishiro activates Hokuto's dying spell then that Subaru would be forced kill him. Fuma reveals that Seishiro's wish was leaving a mark in Subaru. Following an eye transplant from Seishiro's torso, Subaru replaces the late Dragon of Earth. The Dragon of Sky Arashi Kishu loses her maiden powers after having a sexual relationship with her ally Sorata Arisugawa. A dark alter ego Hinoto kidnaps her to turn her into a Dragon of Earth. As these events occur, Tokyo has nearly been destroyed and is flooded, and Kamui and Fuma wield their Sacred Swords needed to clash in the final fight of the war. Both Subaru and Fuma merits that Kamui cannot modify the future unless he realizes his own wish.

Production [edit]

The four Clamp artists (from left to right): Satsuki Igarashi, Nanase Ohkawa, Mick Nekoi, and Mokona Apapa created X

The manga artists Clamp created X. Influenced by the works of Go Nagai and Kyokutei Bakin, the story develops the group's ideas on humanity's responsibleness to itself,[six] its family and the planet.[7] After the success of Tokyo Babylon and Clamp School Detectives, their editor at Monthly Asuka, Seiichiro Aoki, approached the members of Clench to script a longer series.[eight] Writer Nanase Ohkawa, the group's head writer, seized the opportunity to script her long-in-development "end of the globe" ballsy. Conceived while she was nevertheless in middle school, Ohkawa's original story focused on a group of warriors fighting a losing battle in the proper name of justice. While the idea never materialized, many aspects were carried over into Clamp's manga, including the pb characters of Kamui and Fuma.[6] Kamui was originally written as a high-school pupil from Kotori Monou's bespeak of view to appeal to the shōjo manga audience of female person teenagers. Yet, poor response from readers led to Clamp irresolute their characterizations. Ohkawa aimed to testify characters from their previous works in the Ten resulting in multiple crossovers.[ix] The title—"X"—was called considering it has no stock-still meaning. In mathematics, information technology is a common variable. Across mathematics, "X" is a generic placeholder whose value is secret or unknown. "X" is also a cruciform, an innuendo to Christian mythos, and the representation of death and rebirth in Kabbalah.[viii] [x]

Ohkawa cites Go Nagai'due south Devilman every bit a stylistic and thematic influence.[half-dozen] Beyond his penchant for cartoon farthermost violence, Nagai's writing involves themes like the nature of proficient and evil and fear, ideas that left an impression on Clamp'south writer at an early on historic period.[7] Like Devilman, X follows 2 male best friends destined to fight each other at Armageddon, a confrontation brought about by the murder of the hero'due south childhood sweetheart. The residuum of the bandage includes characters from the grouping's entire canon, including unpublished works, finer creating an entire world inhabited by their creations.[xi] The ensemble cast, inspired on Kyokutei Bakin'south Nansō Satomi Hakkenden,[8] includes Subaru Sumeragi and Seishiro Sakurazuka from Tokyo Babylon, and the main characters of Clamp School Detectives. Their first illustration of Kamui gave them a feeling of Ashura, a character from RG Veda based on his appearance in Tokyo's destroyed area.[12]

Several of the series' characters were created using the Osamu Tezuka's Star System technique, where quondam designs are incorporated in new characters, except for Kamui, who proved challenging because of his role. He was made to stand autonomously from other characters, and Ohkawa called his hairstyle and school uniform average. Clamp's lead creative person Mokona believes this was influenced by the heroic graphic symbol-type upon which he was based. In dissimilarity, Kamui and Fuma were new characters whose designs were revised to fit their characters. [12] Subaru and Seishiro reappear in Clamp'southward manga Ten because their relationship parallels that of the lead Kamui and the primary antagonist Fuma. They serve as an instance to Kamui and Fuma. One of X 's most important plot developments is the question of what these two will exercise, so as non end upwards similar Subaru and Seishiro. Clench has compared the bail between Subaru and Kamui with that of siblings.[6] The fight sequences were inspired by the manga Dragon Ball, most specifically by author Akira Toriyama'due south use of white backgrounds.[12]

Influences [edit]

Multiple incidents such as the Great Hanshin earthquake caused the hiatus of X due to its similarities with the earthquakes from X.[6]

X is Clench's take on the apocalyptic fiction genre. The serial combines elements from various stop of the earth scenarios and myths, including Christian eschatology,[10] with Clamp's own modernistic mythology to tell the tale of the fate of the world. The Apocalypse of John[thirteen] inspires the X mythos with Tokyo continuing in as a modern-solar day Babylon. Similar the biblical urban center,[fourteen] Clamp's Tokyo is "the habitation of devils, and the hold of every foul spirit, and a cage of every unclean and hateful bird," (Rev. 18:ii KJV) and is slated for destruction.[4]

Clamp institute bug with the amount of gore they aimed to portray, especially Kotori'southward death foreshadowed in dream scenes. This was by and large affected by the concern over themes of violence in video games present in the 1990s. The writers feared that toning downwardly the violence would negatively affect the manga. Another death scene that left Clamp facing issues was when Fuma decapitates Saiki, which led to more negative responses from the readers. Ohkawa claimed the deaths were meant to be cruel, but the narrative did not fit the shojo demography (immature girls).[12] The Kobe child murders where Clamp received criticism for the similarities betwixt fictional murders and existent life also had an effect.[15]

Kamui is established as a Christ figure.[16] [17] He is prophesied to render to Tokyo and the 1 who will make up one's mind humanity's fate. His miraculous birth and his given proper name reinforce the construction of Kamui as a messiah. "Kamui", like "Christ", doubles every bit a title that alludes to the graphic symbol'south divine nature.[4] [five] Apocalyptic allusions grow with respect to classification.[10] The Dragons of Heaven take their moniker from the vii seals introduced in Chapter 5 of the Book of Revelation, while the antagonistic Angels allude to the 7 angelic beings ordered to "become [their] ways, and pour out the vials of the wrath of God upon the world" (Rev. 16:i KJV).[18]

Other apocalyptic standards like earthquakes are employed, but the apocalypse of Clamp'south manga trades the religious element for an ecology theme. Inspired by the Gaia theory that the Earth itself is one living organism, Ohkawa crafts an endtime brought on past humanity's abuse of the planet.[7] The constant earthquakes the Dragons of Globe cause resulted in a negative backlash from readers and editors because of similar incidents in real life.[fifteen] The story reflects ecology concerns in its depiction of Judgment 24-hour interval.[6] Mankind exists in binary opposition to the Globe. By the end of days, humanity has become such a nuisance that the only way to relieve the planet is to destroy the whole of civilisation.[seven] With mankind gone, the planet tin can regulate itself back to wellness and experience a rebirth.[5] The Seals, however, await to preserve the status quo and to entrust the future of the planet to the people.[six] Teito Monogatari, an award-winning historical fantasy novel, inspired aspects of X's mythology.[19]

Themes [edit]

The disharmonize between the Dragons of Heaven and the Dragons of Earth is at the heart of the series.[20] Like its predecessor Tokyo Babylon,[21] X deals with societal issues. Being set in the present provides an outlet for the authors to reflect and comment on Nippon's state of affairs.[six] Just dissimilar Tokyo Babylon, where the characters were vocal in their concerns, topics in X go unspoken and are implied.[viii] The story places an emphasis on familial nobility and individualism.[6] 10 delves into the relationship between Man and the Earth. Ohkawa talks of how flesh's concern for the preservation, restoration and improvement of the planet stems from a desire to perpetuate its own beingness. She explains, "people will save the Earth to relieve themselves, but who will risk themselves to salve the Earth"?[six]

Ten plays out similar a tragedy, where the characters are at the mercy of forces greater than themselves.[22] The series shares some motifs with apocalyptic literature, like the disclosure of future events through dreams,[23] and establishes a dual nature to its characters and concepts.[6] Ohkawa admits to being fascinated with the doctrine of Dualism.[half dozen] Dualism is the interdependence between opposing elements, the generalization that two opposing-complementary forces are institute in all things. She interprets it as "qualities that seem pleasant in one person simply can brand you hate the next. That's the dual nature we all have."[7] Inspired past the works of Get Nagai, Ohkawa sought to create heroes capable of wrongdoing, even evil. Kamui is the personification of this doctrine.[7] His name ( 神威 , Kamui ) carries a double connotation: "the one who represents the majesty of God", pregnant the one who protects the world and carries out God'southward will; and "the one who hunts the majesty of God", meaning the one who kills those given God'due south power and destroys the globe.[five] Kamui's decision to save the world as he knows information technology is a defining moment as it gives rise to his twin star, Fuma. Fuma undergoes a personality change to the point he is no longer recognizable to his best friend.[half dozen] He takes the proper noun of "Kamui", thus fulfilling the dual prophecy and bringing balance to the conflict. Fuma's "Kamui" persona is Kamui'south other half;[24] information technology represents Kamui'southward potential for destruction.[7] "Kamui" is the image of the evil and good that men do. The duality motif extends to the Dragons of Sky and Earth,[6] two groups of warriors, both akin in power, led to battle by opposite sisters.[8]

Dreams are a source of inspiration for Ohkawa,[25] and became a standard motif in her writing.[6] Dreams in 10 depict the futurity, the destruction of mankind. Hinoto, dreamgazer for the Dragons of Heaven, is convinced it can be changed.[22] Ohkawa explains it as lucid dreaming, where the individual can exert conscious control over the dream to the point it tin can perform impossible feats.[6] Kakyo of the Dragons of Earth is a dreamgazer in a permanent coma who lives in the dreamscape, ever dreaming of the hereafter and knowing there is nothing he can do about it. Although he hopes for a improve hereafter, he cannot get involved and is convinced everything is predetermined, including Kamui'southward render.[5]

By arriving in Tokyo, Kamui unwillingly sets Armageddon in motion.[5] Kotori's decease and Fuma's turning were foretold, merely subject to the immature man's allegiance. Thinking of the people he loves, Kamui chooses to get a Dragon of Heaven to protect them, but ends up losing them for it. Other characters are besides at the mercy of fate.[22] [23] Sorata Arisugawa is destined to die for a woman; but, dissimilar Kamui, the warrior monk embraces his preordained future and chooses Arashi Kishu of the Dragons of Heaven as the one for whom he will give his life.[5] Subaru Sumeragi expresses no interest in the hereafter of the Earth, still he and his counterpart, Seishiro Sakurazuka, are drawn to Tokyo on the Promised Day. Even with the fatalist atmosphere that persists in the series,[7] Ohkawa is convinced individuals exert command over their destiny the same way they choose between right and incorrect.[six]

Media [edit]

Besides changes to the cover of each book, Viz Media altered the title 10 to Ten/1999 in its initial printing.

Manga [edit]

10 began serialization in Kadokawa Shoten's Monthly Asuka in May 1992. Publishing the serial proved troublesome because of its subject matter, which depicted disasters reminiscent of real events in Japan, such as earthquakes or murders committed by juveniles. Serialization stopped in March 2003, and in March 2005 Clamp stated they were searching for a proper mag to conclude it.[fifteen] [26] [27] The chapters were nerveless in eighteen tankōbon volumes, with the outset one released on 29 July 1992, and the eighteenth on 17 September 2002.[28] [29] On 26 September 2006, Kadokawa Shoten published Clamp Newtype Platinum, a special Clamp edition of the magazine Newtype. The issue includes the "X 18.v" supplement, a re-print of five previously uncollected chapters. The series was expected to reach twenty-i volumes upon completion.[xxx] The "X 18.5" chapters were later released every bit role of the book All Nearly Clamp on 22 Oct 2009.[31]

The Due north American version of the manga, retitled X/1999 in its initial printing, was serialized in Viz Media's Animerica Extra and released nether the Shōjo imprint. The magazine noted that during its initial volumes, there were issues with the treatment of the series as the manga went on a hiatus with its sixth volume.[32] In July 2001, Viz Media removed the series from Animerica Actress because of licensing issues,[33] but it later returned in its March 2003 issue.[34] Viz Media release all 18 volumes, catastrophe in 2005.[35] Beginning in 2011, Viz re-issued the series in N America as 3-in-one volumes, unflipped, titled X.[36] In Australia, the series is licensed past Madman Entertainment.[37]

Music video [edit]

On 21 Nov 1993, SME Records released 102 ( ダブルエックス , Daburu Ekkusu ), pronounced "Double-X" in English, a short film based on Clamp's manga, ready to the music of rock ring X Nippon. X2 features a slideshow of Ten artwork set to a medley of X Japan's songs: "Silent Jealousy," "Kurenai", and "Endless Rain" with the "X" music video directed by Shigeyuki Hayashi.[38]

Feature film [edit]

The Ten feature film, directed by Rintaro and co-scripted by Nanase Ohkawa, premiered in Nippon on 3 August 1996. Rintaro is non sure just believes Kadokawa Shoten'south editors asked him to practice the motion-picture show because of his work on Harmageddon, a 1983 flick that employs dissimilar themes from the 10 manga.[39] The supernatural thriller focuses on the roles Kamui, Kotori, and Fuma play in the Apocalypse.[22] [40] The film was given a limited release in the United States in early 2000 and released to DVD on 25 September 2001.[41] [42] X: The Destiny State of war, a comic book based on the feature picture, was released on 30 September 1996.[43] The X Japan song "Forever Love", composed by Yoshiki, was chosen as the film's theme song,[44] [45] and was later used by the sometime Japanese prime government minister Junichiro Koizumi in a entrada advertisement in 2001.[46]

Victor Entertainment released the X Graphic symbol Files ( キャラクターファイル , Kyarakutā Fairu ) from June 1996 to December 1996. The seven sound dramas, scripted by Nanase Ohkawa, focus on the thoughts and motivations of the individual Dragons of Heaven and Earth. The feature film'due south vocalism actors perform the Character Files. They were created to promote the picture show.[47]

Goggle box series [edit]

Yoshiaki Kawajiri directed the episodes from the X anime idiot box serial, which was first announced on 18 October 2000.[48] Kawajiri aimed to portray Kamui and Kotori as stronger than their manga counterparts. However, he still wanted to highlight their psychological weaknesses beyond afterwards episodes.[49] In anticipation of the series' premiere, X: An Omen ( エックス - 前兆 , Ekkusu - Yochō ) was released direct-to-DVD on 25 Baronial 2001. Written and directed past Kawajiri, An Omen tells the story of the upcoming battles through the prophecies of Kakyō Kuzuki, dreamgazer for the Dragon of Earth, and acts as a primer for viewers unfamiliar with Clamp'due south manga.[33] The series premiered 3 Oct 2001 on WOWOW satellite goggle box and finished on 27 March 2002, totaling twenty-iv episodes.[fifty] [51] Twelve DVD volumes from the series, each containing 2 episodes were released in Japan from 25 February 2002 to 25 January 2003 past Bandai Visual.[52] [53] Naoki Satō composed the series' music; two original soundtracks were released.[54] [55]

Pioneer Entertainment distributed the series in North America in March 2002.[56] Geneon collected the series and the OVA in eight DVD volumes released between 24 September 2002 and 25 November 2003.[57] [58] Two DVD box sets of the series were also released on 11 January 2005.[59] [60] In 2006, Geneon released the X Idiot box Series Re-Mix, on five private DVDs released between 11 July 2006 and 14 November 2006, as well as a DVD box gear up on 11 July 2006.[61] [62] The DVDs came with re-mastered video and audio, including remastered and remixed 5.1 Dolby Digital AC3 surround audio for both the Japanese and English tracks.[63] In September 2009, Funimation announced that it had acquired the rights to the anime serial and OVA. They were re-released in a DVD box assail fifteen June 2010 using the original Geneon dubbing (provided by Blindside Zoom! Entertainment) for the English-linguistic communication audio runway.[64] [65] It is licensed by Siren Visual in Australia,[66] and MVM Films in the United Kingdom.[67]

Video games [edit]

Two video games were developed:

  • Bandai released X: Unmei no Sentaku ( X ~運命の選択~ , lit. X: Fateful Choice ) for the PlayStation on 22 Baronial 2002. The fighting game features a story mode, gear up in the television serial continuity, and a versus mode, which allows players to compete against each other using any of the Dragons of Heaven or Earth. The game was not released outside Japan and it has two different endings.[68]
  • Ten: Card of Fate, a card boxing video game for the WonderSwan Colour, was released on 27 June 2002.[69]

Reception [edit]

The manga was a commercial success in Japan, with 12 one thousand thousand volumes sold,[70] while in North America it often appeared on The New York Times Manga Best Sellers of 2012 and ICv2 lists.[71] [72]

The manga's plot and bandage were praised. Animerica regarded information technology every bit i of Clamp's well-nigh iconic works from their early career. Co-ordinate to the site, "Function of the appeal of the Ten manga is its surreal blend of Taoist, Shinto, and fifty-fifty European mysticism with real-globe locales and historical landmarks familiar to Japanese fans."[73] According to Anime Nation, X "appears to defy the conventions of "boys' manga" and "girls' manga" considering of multiple features provided past the authors such as violence and romance that volition entreatment to many types of reader.[74] [twenty] Anime News Network noted that while there are no explicit homosexual relationships, the shojo entreatment might give the reader this impression when the male characters interact, something the shonen demographic might non similar.[75]

Sequental Tart establish Kamui's identity mysterious; he is featured as a caring child to Kotori Monou in a flashback, but he appears as a rude teenager when meeting her again. His fight scenes were noted to be violent in contrast to the lighthearted moments that seem to piece of work every bit comic relief. As a result, the reviewer information technology difficult to clarify the series' showtime volume.[76] Comic Book Bin said despite early issues with the way the subplots are handled, X still maintains an interesting narrative.[77] Every bit the manga progressed, the reviewer felt the manga became more polished and looked forward to the climax when it is written.[78] Kamui's growing graphic symbol arc was the subject of a positive mention as Manga News likewise enjoyed his early appearances and the formation of the Dragons of Heaven as they befriend each other.[79] [80] Reviewers felt Fuma Monou is i of the virtually fell antagonists of Clamp's career and in shojo manga in general because of this gruesome murder of Kotori and how he then causes earthquakes to destroy Tokyo.[81] [82] Anime News Network found that the serial had many types of characters for Dragons of Heavens and Dragons of Earth that are given enough screen time in the buildup to the Holy War to interact and fight until the manga's eighth volume when the narrative takes a unlike road. Every bit the second one-half begins, Anime News Network noted the narrative becomes progressively darker considering of the number of expressionless characters as Clamp moves the plot towards the Armageddon; they lamented the lack of closure with all the deaths.[83]

The human relationship betwixt Kamui and Fuma has been the subject area of discussion. In CLAMP in Context: A Disquisitional Written report of the Manga and Anime, Dani Cavallaro says X has a circuitous "philosophic gravity", heavily influencing the "Gothic epic" setting involving Kamui and how the narrative uses interesting fight scenes with notable dramatic results for one fighter. Cavallaro noted Fuma's roughshod actions to achieve his goals in dissimilarity with Kamui's at-home temperament when he gradually opens up to his friends.[84] While both accept similar paths with respect to their fights in the war betwixt the Dragons, Fuma takes his weapon using brute force while Kamui is given his by his family.[85] Fans reading the series have wondered whether Clench was hinting at a romantic relationship between Kamui and Fuma. Sequental Art commented on homoerotic tones during a few scenes.[86] In response, in the volume Agreement Manga and Anime writer Robin E. Brenner claims Clamp had no intention of suggesting a romantc relationship between the ii as he compared them with the more than explicit relationship Subaru had with Seishiro.[87] Manga News noted the pair had one of the well-nigh anticipated fights in the series because of the long history they have in Tokyo Babylon and called their concluding duel tragic.[88] In Manga: The Consummate Guide, Jason Thompson wrote "even without a proper ending, the series has a lot going for it", and felt the major storytelling centering around destiny was highly-seasoned despite not finding it Clamp'southward best forcefulness.[89]

Clench'due south illustrations such as the dream sequences, Seishiro's horror-based spells, and the outstanding designs of Kamui and Hinoto were also the subject of praise.[76] [86] [90] The Fandom Post also enjoyed the artwork, mostly praising the style action sequences are fatigued[eighty] Manga News found the early artwork typical of Clamp's works involving RG Veda and Tokyo Babylon only with a different way than Angelic Layer and Cardcaptor Sakura as it features mostly androgynous characters.[74] Comic Book Bin praised the treatment of the fight scenes by the artists particularly the backgrounds, which "depict free energy and magic unleashed in a fast and furious display".[77] Because of the manga's long serialization, critics noted that the artwork evolved, making information technology as appealing as afterward Clamp works similar Tsubasa: Reservoir Relate and Angelic Layer. However, Anime News Network felt the tearing imagery portrayed by Clamp throughout earthquakes and murder scenes in X was too disturbing for the Monthly Asuka demographic and cancelled information technology. Although the manga returned following its controversial cancellation, the planned ending was fifty-fifty more gruesome causing its cancellation over again.[83] Thompson simply regarded the art as "absolutely gorgeous".[89]

References [edit]

  1. ^ a b c Santos, Carlo (eight November 2011). "Scrambled X - Correct TURN Only!!". Anime News Network. Archived from the original on 9 January 2021. Retrieved 14 August 2018.
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External links [edit]

  • "X/1999". Viz Communications. 27 November 1996. Archived from the original on 27 November 1996.
  • X (manga) at Anime News Network'due south encyclopedia

shippupons1961.blogspot.com

Source: https://en.wikipedia.org/wiki/X_(manga)

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